Who we are

Group Photo

Regular singers (not all in the photo): Barbara Alden, Jane Alden, Aubrey Botsford, James Bull, George Chambers, Adrian Cole, Stef Conner, Alison Cross, Richard Duckworth, Gina Fergione, Chris Gadd, Rebecca Hardwick, Penny Homer, Charles Céleste Hutchins, Celia Jackson, Chau-Yee Lo, Jessica Loeb, Peter Johnson, Bron Jones, Linn D., Rachel Hewitt, Jill House, John McLeod, Dominic McGonigal, Sanjay Manohar, Kevin Raftery, Lauren Redhead, Stephen Rice, Graham Roberts, Celia Springate, David Till, Simon Walton, Samuel Wilcock

We are VOCAL CONSTRUCTIVISTS, on account of the resemblance between pages of the first score we sang, Cornelius Cardew’s Treatise and Constructivist architecture. And our building work continues…

THE VOCAL CONSTRUCTIVISTS specialize in the performance of text and graphic scores, alongside works that extend ‘traditional’ notation. The group was formed by Jane Alden in 2011 and was the first ensemble to perform an all-vocal version of Cornelius Cardew’s epic Treatise (1964-67). They have since performed works by a variety of experimental composers, including Mark Applebaum, Anthony Braxton, Neely Bruce, Jan Duszyński, Wojciech Kosma, Paula Matthusen, Meredith Monk, Pauline Oliveros, Michael Parsons, Bogusław Schäffer, Tomasz Sikorski, Christopher Williams, and Christian Wolff. In London, they have performed at the South London Gallery, Morley College, Hanbury Hall, V22 Summer Club (The Old Biscuit Factory), The Forge, Arcola Theatre, and Peckham multi-storey car park (as part of the 2013 London Contemporary Music Festival). The group has made guest appearances in Canterbury and Southampton, in Dublin (Ireland), and New York (USA). They were Ensemble-in-Residence for the 2013 Time Stands Still conference at Wesleyan University, Connecticut; at the 2014 Music and/as Process conference at Christchurch University, Canterbury; at the 2015 Stoke Newington Contemporary Music festival; featured in the 2016 Dublin sound art festival, Ideoprenurial Entrephonics 2; and they were the closing act of the 2016 Southbank Centre’s Deep Minimalism festival at St John’s Smith Square. In 2017, they gave the first tribute concert in memory of Pauline Oliveros at London’s Café Oto and their Oliveros work continues with further performances in Cambridge and London in 2018.

The Vocal Constructivists explore idiosyncratic notation as a form of social practice, with the scores supplying open-ended vocabulary for collective discourse. The group has commissioned and premiered sixteen works, establishing themselves as an important force in new music-making. Coming from diverse backgrounds, with ages ranging from 18 to 78, the Vocal Constructivists draw on a variety of artistic influences—classical, global, avant-garde, eclectic, and dramatic. Experimentalism is a primary motivation, propelling the group away from an expected sound world. Their CD Walking Still is available on the Innova label (#898).

“a group of exceptionally gifted singers who are at one with each other” – Choir and Organ

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